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Philosophy at the MoviesPhilosophy at the MoviesGreen SnakeHow does this film’s use of the concept of reincarnation allow it to act as an exploration of human nature? Why do the snakes, a species of what are called “evils” in the film desire to become human? What is involved in the centuries-long training they are undergoing to attain reincarnation as human beings? Why does it take hundreds of years to accomplish this? How do the sisters, White snake and Green snake, exhibit their relative levels of progress in that training? How does the film contrast snake life with human life, and the difficulties of attempting the transf...2023-08-1138 minPhilosophy at the MoviesPhilosophy at the MoviesShattered GlassWhat does this 2003 film about disgraced New Republic reporter, Stephen Glass, tell us about sociopathic or narcissistic behavior? How does the film engage with matters of journalistic ethics, and illustrate the dangers or traps created by journalistic bias when it comes to exercising critical thought and editorial oversight? How does the film show competition between journals aiding or prodding the editorial and critical efforts that should have been in place at the New Republic? How does this film illustrate the corrosive effects of deception and lying? How does Glass abuse the presumption of veracity that we all bring to...2023-07-3042 minPhilosophy at the MoviesPhilosophy at the MoviesFitzcarraldoWhat does the pair of films, Fitzcarraldo, and the documentary about the making of that film, Burden of Dreams, tell us about the similarity between the main character, and the film’s director/producer Werner Herzog? How do both illustrate Kant’s notion of the Categorical Imperative in their sometimes-reckless use of indigenous people? How do the indigenous people illustrate that same concept in their use of Fitzcarraldo and his boat? On a related note; how does the film typify the 1980s era in film-making, when some directors took dangerous measures in order to achieve their cinematic visions? How does...2023-07-1136 minPhilosophy at the MoviesPhilosophy at the MoviesOnoda: 10,000 Nights in the JungleWhat does this 2021 film, based upon the true story of 2nd Lieutenant Hiroo Onoda, a WWII Japanese Army intelligence officer who held out on the Philippine island of Lubang until 1974, tell us about his sense of duty? What does it tell us about the capacity of the human mind to render any evidence or experience consistent with strongly held beliefs? How can Onoda’s case be used to illustrate the notion of the non-falsifiable hypothesis? How does it relate to today’s notions of ‘fake news,’ and conspiracy theory? How does the film explore the differences between the ethos of the J...2023-06-2034 minPhilosophy at the MoviesPhilosophy at the MoviesShadowlandsWhat does this 1993 film, based upon the true story of C.S. (Jack) Lewis and his American wife, Joy Davidman, tell us about grief, suffering and love? How is it related to the “problem of evil,” often discussed in philosophical and theological settings? How does the film contrast Lewis’s speaking appearances, where he discusses the subject, with the first-person experience he has with his wife’s suffering? How do Joy’s challenges to Jack’s relatively comfortable and cloistered life as an academic foreshadow the starkly raw emotional experience he has with her suffering? What is the point of the contr...2023-05-2136 minPhilosophy at the MoviesPhilosophy at the MoviesSolarisWhat does this 1972 Russian film intend to convey about guilt, regret and moral injury? How does the film create ambiguity with regard to the motivation of the alien world, Solaris, in creating replicas of people about whom the main characters have strong regrets? How does the replica of Dr. Kelvin’s deceased wife Hari force the men on the space station to engage the question of whether or not she is a full person, or merely something like a robot? How does the contrast between Dr. Sartorius’s treatment of the replica Hari and that of Dr. Snaut and Kelv...2023-04-2942 minPhilosophy at the MoviesPhilosophy at the MoviesSilenceWhat does this 2016 film, based upon the novel of the same name, tell us about the moral dilemmas faced by Christian missionaries in Japan during the late 1600s? Why does apostasy (carried out by stepping on a carved image of Christ) present such an agonizing choice if the people doing so remain Christian in their hearts? How do the contrasts between the characters Kichijiro, Fathers Rodrigues and Feirrara reflect differing levels of moral compromise? Who is the most cowardly of the three, and why? Does Rodrigues make the right choice in choosing to step on the image in order...2023-04-2239 minPhilosophy at the MoviesPhilosophy at the MoviesThe Outpost and This is What Winning Looks LikeIn this ‘double feature’ discussion, the moral challenges of the Afghan war are explored. How does The Outpost portray the tactically perilous position of the outpost, and the costs associated for the men? How do the two films portray the difficulties involved in attempting to convince local elders to not cooperate with the Taliban? How does the film portray the endemic nature of corruption, drug use, pedophilia, and what strain does this place on Americans trying to provide security and training for Afghan police forces? How does the case of Major Bill Steuber (USMC) illustrate the risks of moral inju...2023-04-0538 minPhilosophy at the MoviesPhilosophy at the MoviesDreddWhat does this 2012 film, based upon the UK comic book series Judge Dredd, tell us about its world’s form of government (the “Judge System”), a pared down police state which consolidates the powers traditionally vested in different elements of government? What does it tell us about the effects of extreme population pressure on Democratic governance in its post apocalyptic America? Why does a majority of this world’s United States population vote to consolidate and pare down governmental functions to the most basic core; provision of security? Why is the police force vested with the roles of judge, jury and...2023-02-2535 minPhilosophy at the MoviesPhilosophy at the MoviesDevotionHow does this 2022 film, based upon the relationship between Korean War aviators Ensign Jesse Brown and Lieutenant Tom Hudner, illustrate the level of camaraderie between these two men, their Fighter squadron (VF-32), and the state of racial integration in the US military at the time? In that regard, what is the import of Jesse’s discomfort with being singled out by the press while on board the Leyte with VF-32? How does the Yalu bridge episode illustrate the dangers faced by Jesse when Hudner files his after-action report on Brown’s decision? Why does Hudner choose to file the repo...2023-02-2340 minPhilosophy at the MoviesPhilosophy at the MoviesEverything Everywhere all at OnceHow does this 2022 comedy explore the concept of the ‘multi-verse’; the idea that there is an infinity of parallel universes each one of which is equally real or actual to those that inhabit it? What psychological and moral effects do the main characters undergo as a result of being able to “verse-jump” into the lives of their ‘twin selves’ in parallel universes? Why does Joy’s parallel universe twin “Jobu Tupaki” become depressed and nihilistic after having developed the ability to experience the lives of her ‘twins’ in all universes at the same? What prevents Evelyn, Joy's mother, from following her in in that nihilis...2023-02-0134 minPhilosophy at the MoviesPhilosophy at the MoviesThey LiveWhat does this 1988 John Carpenter Sci Fi Horror send-up tell us about Carpenter’s political ideas at the time? How does the film illustrate a more general point about ideology and conspiracy mongering? Why does the film function so well as a sort of Rorschach ink blot that allows people across the political spectrum to see in it as commentary on the classes they consider to be controlling society? Why does it resonate so well with populism both left and right? How does the film resonate with leftist cinema of the 60s and science fiction films of the 1950s? How do...2023-01-2139 minPhilosophy at the MoviesPhilosophy at the MoviesSeven Samurai, The Magnificent SevenHow do these films illustrate the cross-cultural pollination between Japan and the United States, given they had similar relatively lawless “Wild West” phases in history? Why does it show us the high level of distrust for the Samurai or gunfighters on the part of the villagers that hire them? Is that distrust justified? Why, after the victories, do the leaders of the two bands of defenders both say that the farmers, who had hired them ‘always win’ while the Samurai or gunfighters ‘always lose’? How does the Seven Samurai illustrate the military and tactical professionalism of the band of Samurai as they plan...2022-12-3134 minPhilosophy at the MoviesPhilosophy at the MoviesKing RatWhat does this 1965 film, based upon a James Clavell novel of the same name, show us about Clavell’s own experiences in the Changi POW camp in Singapore from 1942 to 1945? How does the fact that escape is impossible affect the attitudes of the POWs in the camp? How does the main character, American corporal King, exercise power in the camp, even though he is an enlisted man? Why do the British, Australian and American officers fall into the corruption that is rife in the camp? What accounts for the dissension and hatred? Why do fellow prisoners work for and deal wi...2022-12-0241 minRadio StockdaleRadio StockdaleHomecoming50: Personal StoriesPart 4 of 4. Dr. Shaun Baker and Senior Fellow Alvin Townley wrap up their discussion of the use of the US POWs as propaganda tools during the Vietnam conflict. In this final episode, Shaun and Alvin reminisce about the personal stories of the POWs and their wives. Their private experiences, and how they and their families were able to withstand the pressures and separations they all endured during the war, and how they have lived their lives since.2022-11-2129 minPhilosophy at the MoviesPhilosophy at the MoviesA Man for All SeasonsWhat does this 1966 film, detailing the conflict between King Henry VIII of England and Sir Thomas More tell us about the cause of the tension between Henry and the Catholic Church, and the conflicting loyalties of More, a devout Catholic? What does it tell us about European religious conflicts of the time period and the painful development of the Western world’s tolerance on matters of religion and state? What geopolitical lessons does it hold for us today in this regard? How does the dilemma Thomas faces illustrate the Stoic notion that each person is essentially a “moral purpose", and the...2022-11-2032 minRadio StockdaleRadio StockdaleHomecoming50: US Code of ConductPart 3 of 4. Dr. Shaun Baker and Senior Fellow Alvin Townley continue to discuss the use of the US POWs as propaganda tools during the Vietnam conflict. How did the US Code of Conduct apply to the American POWs? How did captivity, cooperation, and leadership lend itself to a reinterpretation of the code? What does BACKUS mean, and how did it impact the actions of the POWs? And what is the significance of the statement "Return with Honor"?2022-11-0727 minPhilosophy at the MoviesPhilosophy at the MoviesThreadsThis 1984 BBC television film, set in England during and after a major global nuclear war, asks us to consider the likelihood of a near total breakdown of governance, public order, morality and civilization in such a circumstance. How does the film portray the social impact of an extended nuclear winter? How and why does the film portray the breakdown by having the second-generation characters speaking a degraded, almost childish form of the English language? The bleak nature of the film was deeply shocking to British audiences of the time. How does it reflect Cold War realities of the 1980s? How...2022-11-0642 minPhilosophy at the MoviesPhilosophy at the MoviesThe Cabinet of Dr. CaligariWhat does this groundbreaking 1920 German expressionist film tell us about political movements and environments like that which was prevalent in Post World War I Germany? What commentary does it provide about the rise of charismatic, messianic and utopian movements on the left and right? What aspects of the German body politic do Cesare and Dr. Caligari represent? How does the film portray bureaucratic powers and cynicism about them? How does it portray police forces? How does the film portray the psychosis of the main character, Francis? What does it tell us about delusion, and what lessons can we take away...2022-10-2834 minPhilosophy at the MoviesPhilosophy at the MoviesMy Sister's KeeperWhat does this film, which tells the story of Anna a so called ‘savior child,’ conceived expressly for the purpose of saving her older sister’s life via stem cell and organ donations, tell us about the conflicted nature of parental obligations in such situations? How does it illustrate Kantian strictures against using people merely as means? How does the case of Kate and Anna compare with historically significant cases such as that of Terry Schiavo and Ramon Sampedro? What roles do such stories play in the world of young adult literature, and introducing teens to difficult ethical issues? Do such w...2022-10-2232 minRadio StockdaleRadio StockdaleHomecoming50: PropogandaPart 2 of 4. Dr. Shaun Baker and Senior Fellow Alvin Townley talk about the use of the US POWs as propaganda tools during the Vietnam conflict. What did the North Vietnamese try to accomplish, and how did they go about it? The propaganda/media war, how it had worked in the 1st Indochina War with France, and how they used the same strategy during the US War. How the US government responded during the Johnson administration and then the Nixon administration. Finally, how the responses of the POWs and their wives contrasted and compared.2022-10-1025 minPhilosophy at the MoviesPhilosophy at the MoviesThe RackWhat does this 1956 film tell us about the treatment of POWs during the Korean War by Chinese and North Koreans? What does it tell us about the effectiveness of isolation as contrasted with torture in attempts to force POWs into collaborating by making propaganda or soliciting fellow POWs to aid the enemy or make confessions? How do Captain Hall’s actions while in captivity support the charge of treason? Do any actions of his militate against this judgment? How does the film illustrate the conditions and actions that led to the formulation and promulgation of the American Fighting Man’s Code...2022-10-0138 minPhilosophy at the MoviesPhilosophy at the MoviesThe BatmanWhat does this latest (2022) iteration of the Batman franchise tell us about the dangers of cynicism in people whose profession it is to protect and serve? How does the film force the question of cynicism or retreat from duty or moral obligation in light of the apparently irredeemable nature of Gotham City? Do Catwoman and Batman represent two different answers to that question? How do Gordon and Alfred force Bruce Wayne to consider it? How does the Riddler’s movement resemble radical underground movements on the right and left in modern America? How does the film reflect activities of such gr...2022-09-3033 minPhilosophy at the MoviesPhilosophy at the MoviesArmy of ShadowsWhat does this 1969 film based upon Joseph Kessel's 1943 novel of the same name, tell us about the moral stresses involved in being operatives in the French Resistance during Nazi occupation? How does it illustrate the psychological, emotional and moral costs involved in making mortal choices in service of protecting that resistance effort? How does the film use the fate of resistance leader Mathilde to illustrate the utilitarian strategic decisions that had to be made when members were arrested and coerced for information? How does it illustrate the moral harm involved in killing human beings ‘up close’? How did the contemporary poli...2022-06-1932 minPhilosophy at the MoviesPhilosophy at the MoviesDas BootWhat does this 1981 German film, set in autumn 1941 during the period of most success for the German U-boats in the Atlantic, tell us about the leadership abilities of the ship’s captain, life in the submarine services during that war, and the rigors of that life? How does the Captain deal with the crew’s behavior before deployment, and why does he take the approach he does? How and why does the film contrast the anxious tedium and utter boredom over long periods of the deployment with the intense terror and action of the periods of combat? How does the film...2022-06-0531 minPhilosophy at the MoviesPhilosophy at the MoviesThe Third ManWhat does this 1949 film, set in post-WWII Vienna, tell us about the black market in post war Europe? How does the story of Anna’s plight reflect the fate of citizens of East European countries occupied by Soviet forces? Why does Anna persist in her loyalty to black marketer Harry Lime even after being informed that his activities caused children who had contracted Meningitis to die after being given diluted penicillin? Why does Harry's old friend Holly Martins vacillate in that regard, even after having seen the harm first hand? Is it loyalty to Harry, or compassion for Anna? How do...2022-05-1536 minPhilosophy at the MoviesPhilosophy at the MoviesAfter LifeWhat does this 1998 Japanese film, set in a way-station between life on Earth and an afterlife, intend to tell us about the connection between personal identity and memory? The recently deceased are assigned a sort of social worker who, over the course of one week, helps them pick one memory from their lives that they will recreate as a short film, and which they will carry into the afterlife as their only memory. Some of the characters in the film are unable to choose a single such memory, or do not want to do so, because they will also forget...2022-05-0935 minPhilosophy at the MoviesPhilosophy at the Movies12 Mighty OrphansWhat does this 2021 film based on Jim Dent’s book of the same title, tell us about the life changing influence of Coach Rusty Russell on the boys in Forth Worth’s Masonic Home and School during the Depression? How does the film contrast his coaching philosophy with others? How does the film use the story of eventual NFL standout Hardy Brown to illustrate Coach Russell’s impact on their lives? Did Coach Russell and Doc save him from a violent and possibly criminal life? How does the film illustrate the nature of camaraderie in teams, how it developed within this t...2022-05-0833 minPhilosophy at the MoviesPhilosophy at the MoviesLockeWhat does this 2013 film, taking place during a drive, involving the driver in a series of phone calls as he attempts to oversee a very important project while dealing with a personal crisis brought on by his own infidelity, tell us about Ivan Locke’s moral character? Did Ivan make the correct choice in leaving the major project, a concrete pour in order to be present for Bethan during birthing of his child? What can we say about his efforts to satisfy moral obligations toward both and his determination to tell his wife the truth? Did he make the right ch...2022-04-0933 minPhilosophy at the MoviesPhilosophy at the MoviesHoop DreamsThis groundbreaking 1994 documentary a ‘longitudinal’ documentary following two young men through four years of high school after being recruited to play basketball for a prominent private school in the Chicago area, tell us about the transactional nature of recruitment for athletics at prestige institutions? How is the high school recruiting experience similar to the college experience? What does the film tell us about the way the involved parties negotiate and navigate this transactional relationship during a school career? Are the players, their families, the schools, their donors and boosters all on a level morally speaking? Are all of them using each...2022-04-0235 minPhilosophy at the MoviesPhilosophy at the MoviesThe Dark Knight RisesHow does this 2012 film, the last in the Chris Nolan Batman Trilogy, reflect contemporary concerns with national security measures such as the Patriot Act? How does nemesis Bane’s takeover of Gotham City reflect revolutionary rhetoric and its rationalization of violence and injustice? How does it mirror the rhetoric that appeared in the French Revolution and other periods of history? How does it force audiences to consider similar rhetoric behind the contemporaneous “Occupy Wall Street” movements of the time? How is it that the film garnered controversy at both ends of the political spectrum? How does the film’s treatment of Batma...2022-03-1937 minPhilosophy at the MoviesPhilosophy at the MoviesCenturionWhat does this film, set during the Roman conquest of Britain, tell us about the effects of reciprocal barbarity between the Roman and British tribal kingdoms during wartime? How does the story of Etain, the Pict scout illustrate? How does the film attempt to fill in the historical blank with regard to the “Lost Ninth Legion” of Rome? How does the film fare in its portrayal of small unit dynamics in its development of the story of the small group of Roman soldiers lost behind enemy lines? How does it illustrate, in the fate of the character Marcos, the great risk...2022-02-2732 minPhilosophy at the MoviesPhilosophy at the MoviesWhat about Bob?What does this 1991 Frank Oz comedy tell us about neuroses, narcissism and careerism? How are the personalities of the two main characters, Bob Wiley and Dr. Leo Marvin similar? How does the film show us the impacts of Marvin’s narcissism and careerism on his family relations? How does Bob’s taking on of a father’s role with the two kids, Sigmund and Anna, show Marvin’s lack in this regard? How does the film contrast the narcissism of the two characters as they battle? How do Bob’s manipulations of others reflect Leo’s manipulations? Does the film serve as a c...2022-02-2032 minPhilosophy at the MoviesPhilosophy at the MoviesHari KiriWhat does this 1962 film, centering on the request by a Ronin (a wandering and un-employed Samurai) to be allowed a Hari Kiri ceremony on the grounds of a Samurai clan, teach us about the Samurai concept of honor? How does the main character’s quest for revenge serve as a commentary on two faces of Bushido code, one gentle and aimed to one’s own, the other cruel and aimed toward outsiders? What is Tsugumo’s intent in hunting down the three Samurai who had humiliated his son in law, Chijiwa and forced him to commit suicide? Why did he choose...2022-02-1537 minPhilosophy at the MoviesPhilosophy at the MoviesReady Player OneWhat does this film, which plays with the idea of a shared virtual gaming world somewhat like a “meta-verse,” tell us about the tensions between the creator of that virtual world and those that would monetize the creation? How does the film contrast the bleak real world of the gamers with the excitement and sense of mission that exists in the simulated world, OASIS? Why does the film choose to scratch the surface of the risk of escapism that comes with such technology? What are we to make of the film’s focus on the creator’s retreat from the risk inv...2022-02-1333 minPhilosophy at the MoviesPhilosophy at the MoviesJohn CarterWhat does this 2012 film based on the science fiction of Edgar Rice Burroughs, show us about his ability extrapolate from scientific and historical fact to features of Carter’s experiences on Mars, and the races with which he interacts? How do the psychological and moral characteristics of the Thark civilization reflect reptilian life on Earth? How do the Therns, an immortal race, resemble the gods of Greek mythology in their treatment of the other races and civilizations on Mars? Why does the film choose to underplay the complex political motivations of the different Martian races as they try to cope se...2022-01-1934 minPhilosophy at the MoviesPhilosophy at the MoviesThe Battleship IslandWhat does this 2017 South Korean film, loosely based on the true story of the Hashima Island coal mines off Nagasaki, tell us about the motivations of so called ‘revisionist’ films centering on nations or ethnicities that were victims of WWII atrocities? How does the history of the island and Japanese treatment of Koreans, as well as the subsequent controversies over this past, reflect Japanese reticence to come to terms with the deeds of Imperial Japan? Why did the Korean producers decide to create a fictional prisoner escape and climactic battle between the desperate prisoners and the Japanese and collaborating Koreans? How...2022-01-1334 minPhilosophy at the MoviesPhilosophy at the MoviesKlausWhat does the 2019 animated film, which presents an original retelling of the origins of the Santa Claus myth, tell us about mixed motivations when it comes to moral behavior? How does the character arc of Jesper as well as the children of the town of Smeerensburg, show that self-interest not only can incentivize moral behavior, but reap deeper change of moral character? How does the story illustrate the connections between historical events and personages and mythos? How does it illustrate this, using the comically mundane aspects of the efforts made by Klaus and Jesper to deliver toys to the children...2021-12-1832 minPhilosophy at the MoviesPhilosophy at the MoviesTokyo GodfathersWhat does this Japanese animated film, set during the Christmas season, tell us about family? How does the character arc of the ersatz family of homeless individuals who have found an abandoned infant illustrate the sometimes highly frictional dynamics of family interaction, and the respect and love that families also instantiate? What message about family and society is contained in the story of their discovery and the search for the parents of the child? How does each character’s reunification with their own biological families figure into the message? How does the film capitalize on setting the story in the Ch...2021-12-1233 minPhilosophy at the MoviesPhilosophy at the MoviesBlack Hawk DownWhat does this 2001 film, concerning a complex military operation to take two lieutenants of a Somali warlord, tell us about the complexities of peace-keeping operations and military operations in heavily populated urban environments? What does it tell us about state-building efforts that the UN took upon itself in Somalia in the 1990s? How does it presage similar efforts in the Post 9/11 world? What lessons should be learned from the substance or results of such efforts? How does it illustrate the level of complexity that is often involved in command and control in military operations, and the moral pressures that command...2021-12-0732 minPhilosophy at the MoviesPhilosophy at the MoviesDuneWhat does this 2021 film adaptation of the 1965 Frank Herbert novel attempt to portray in terms of the predestination of Paul Atreides and his evolving attitude toward the leadership role toward which he is being groomed? Do Paul’s visions of his own future raise moral questions for him as to whether he should take on the leadership role he is apparently destined to take? How does the story capitalize on the “block theory of time” in the person of Paul? How does the story serve as a cautionary tale for charismatic political leaders? Does the story in some way support fascis...2021-11-2935 minPhilosophy at the MoviesPhilosophy at the MoviesNet WorthWhat does this story, set in 1957 Detroit tell us about the efforts of Ted Lindsey to unionize the players of the 'original six' teams of the NHL? How does the monopoly power over US teams, such as the Redwings and Blackhawks held by the Norris family illustrate points raised by Plato in his famous Ring of Gyges thought experiment? How does the insulation provided by great wealth and political connections mirror the magical powers of that ring? What does this thought experiment drive home about the relationship between morality and self-interest? How does the early history of the NHL ownership...2021-11-0537 minPhilosophy at the MoviesPhilosophy at the MoviesWar of the WorldsHow does this 2005 Steven Spielberg film attempt to update the basic storyline from the H.G. Welles novel? What thematic elements does it leave out and why? Does the imagery, reminiscent of news coverage of the 9/11 attacks, convey any important message about that event? How does the film attempt to portray Welles’ meditations on empire or human relations to non-human animals we exploit for food or other purposes? Does it fail to reflect the aspects of the novel that engage the ‘problem of evil?’ How does the history of adaptations of the novel reflect a desire to update the basic storyl...2021-10-2932 minPhilosophy at the MoviesPhilosophy at the MoviesExcorcist III - LegionWhat does this film, a sequel to the famous 1973 film, tell us about the problem of evil? How does the friendship between police Lt. Kinderman and Father Ryan allow the film to explore the issues raised for belief in God posed by the occurrence of gratuitous evil of the nature portrayed in the film? How does the film raise the question with regard to Satan’s evil? Does it imply that evil is something that cannot be eliminated, even by God? How does the dialog between Kinderman and the spirit of the Gemini Killer explore the challenges faced by traditional du...2021-10-1932 minPhilosophy at the MoviesPhilosophy at the MoviesThe Long HalloweenWhat does this animated Batman film, based upon a graphic novel, tell us about Hobbesian views with regard to self-interest, social mores, legal codes and social contract? How does Batman’s motivation differ from the crime families portrayed in this film? How is he similar? Do his actions give support to Hobbes’ view as to man’s essentially selfish nature? Why do he, Gotham DA Harvey Dent and police Capt. Gordon agree to bend, but not break the rules as they attempt to take down the Falconi crime family? Does the Batman story serve as a reminder for Americans of how lu...2021-10-1734 minPhilosophy at the MoviesPhilosophy at the MoviesWorthWhat does this film, based upon Ken Feinberg’s account of his work as Special Master of the 9/11 Victim’s Compensation Fund, tell us about the tension that exists between efforts to economically quantify the impact of the loss of human life and the sense of loss felt by surviving loved ones? What light does it shed on the uniqueness of individual human lives as the staff go about the process of interviewing survivors? How do the cases of Nick Donato and Graham Morris reflect the moral complexities involved in determining who gets compensated? How does the case illustrate the diff...2021-09-2529 minPhilosophy at the MoviesPhilosophy at the MoviesThe Junction BoysWhat does this film, based upon the Jim Dent book of the same name, tell us about football coaching philosophies that were common in the 1950s and 1960s? Does Paul (Bear) Bryant come to the conclusion that he went too far in his efforts to break the lackadaisical culture at Texas A&M? What positive results did his hard tactics have with regard to character formation of players, many of whom went on to successful careers not only in football, but in other arenas of life? Why did the men come to appreciate the experience, even if it was an...2021-09-1333 minPhilosophy at the MoviesPhilosophy at the MoviesThe BreadwinnerWhat does this film, set in 2000 Taliban-controlled Afghanistan, tell us about the misogyny at the heart of Taliban governance? How does the bully character Idrees instantiate this? How does the film's portrayal of Parvana and her father show they have values and goals that are in conflict with this world-view? How does Parvana’s disguising herself as her deceased brother show not only her bravery, creativity and moral courage, but the degree to which the society is retarded in its development due to its treatment of women and girls? How does Parvana’s choice to take on the role of a bo...2021-09-0534 minPhilosophy at the MoviesPhilosophy at the MoviesThe Island of Dr. MoreauHow do two films, one produced in 1996 the other in 1932, based upon the H.G. Welles novel explore the ethical challenges posed by genetic engineering? What sort of commentary does it provide concerning the slide into morally dubious actions that can be brought about by scientific fascination with following a trail of research? How do the original book’s anti-vivisectionist roots explain elements of the story? How do the book and films provide commentary on the eugenics movement, popular at the time of the writing of the novel? How do the ‘ape man’ hybridization experiments undertaken by Soviet Russia in the 19...2021-09-0332 minPhilosophy at the MoviesPhilosophy at the MoviesUnforgivenWhat does this 1992 Clint Eastwood film tell us about mythologizing of cruel figures in the so called ‘Wild West’? How does the character “English Bob” reflect the sanitizing fictions that were circulated in the press and popular culture in the late 19th and early 20th centuries? How does the film illustrate the real emotional and moral impact of killing? How do the differing reactions of Munny, Ned Logan and the ‘Schofield Kid’ illustrate the moral deadening and injurious effects of a lifetime as killer and outlaw? How does the character Munny illustrate that in lawless circumstances, in order to exact justice or r...2021-08-1633 minPhilosophy at the MoviesPhilosophy at the MoviesThe Immortal Life of Henrietta LacksWhat does this 2017 Film about the origins of the HELA cell line used in biomedical research, and the family of ‘donor’ Henrietta Lacks, show us about the ramifying effects of the loss of Henrietta on her children and extended family? Would it have been more true to the rich source material (a best-selling book on this family's experiences) to have created a mini-series instead of a single film? How does the story highlight the ethical problems involved with taking samples from patients, propagating, distributing and using them for research without informing them or gaining their consent? What are the arguments agai...2021-07-2830 minPhilosophy at the MoviesPhilosophy at the MoviesSource CodeWhat does this 2011 Science Fiction film, premised on the technological possibility of reliving the last few minutes of a person’s life by soul-jumping into their bodies in parallel universes, tell us about ethical issues that would arise in using such technology? Does the program director, Dr. Rutledge, believe that Source Code is merely a simulation, or does he think Colter Stevens is actually sent into alternate universes, occupying each universe’s Sean Fentress? How does Capt. Goodwin’s choice to honor Stevens’ request to take him off life support jeopardize the Source Code program? If Stevens is the only person c...2021-07-1831 minPhilosophy at the MoviesPhilosophy at the MoviesThe TrialWhat does this 1962 Orson Welles film, based upon the incomplete Franz Kafka novel, tell us in its utilization of a nightmarish story? How does the illogic of transitions mimic nightmares? Do any of the characters surrounding and including protaganist Joseph K, truly know what is going on? Are they all in the same uncomprehending state with regard to their places in the world? How does Joseph K’s ‘throwness’ into his world reflect our own status, according to existentialist thought? How does this 1914 novel forecast elements of the legal systems of later 20th century totalitarian states in Germany and Soviet Russia...2021-07-1331 minPhilosophy at the MoviesPhilosophy at the MoviesHow does this 1972 film, based on the Second Continental Congress’ deliberations on Independence, reflect the times of its production, as well as the actual events surrounding the adoption of the Declaration? Does the effort to make the founding fathers more human work? Does the film accurately reflect the motivations of men like John Dickenson? Why does it simplistically portray some of them as primarily wanting to protect their wealth or land holdings? How does the film dramatize the debate over and excision of Thomas Jefferson’s section on slavery, and the rationale for that deletion? How does the language of the...2021-07-1332 minPhilosophy at the MoviesPhilosophy at the MoviesChernobylWhat does this miniseries, based upon the Chernobyl nuclear power plant disaster and its aftermath, tell us about the contribution made to the disaster by the closed Soviet system, and its Marxist/Leninist ideology? How important was international media to the eventual clean-up and averting of an even worse disaster? How do the film-makers portray the heroism of ordinary citizens in the cleanup operation? How does the miniseries show the cynicism of ordinary citizens and party functionaries in the face of the failures of the Soviet system? How does it show the ordinary person’s courage and willingness to sacrifice th...2021-07-0436 minPhilosophy at the MoviesPhilosophy at the MoviesThe Steel HelmetHow does this 1951 film set during the contemporaneous Korean War explore racially connected issues in the U.S.? How does it go against type for so called “B” movies in its exploration of these issues? How does it reflect the communist world’s awareness of America’s faults and attempts to exploit the existence of racial bigotry? How does the director, Samuel Fuller’s, military experience lend credence to his portrayal of small unit climate and dynamics? How does the relationship of the relatively green Lt. Driscoll and experienced Sgt. Zack reflect the realities of these dynamics? Why did the Army react...2021-06-1833 minPhilosophy at the MoviesPhilosophy at the MoviesUnbreakableHow does this film’s attempt at a realistic or plausible variation on the theme of superheroes work as compared with more mainstream films in that genre? How does Elijah Price’s disease, and his mother’s attempts to counter his fear, lead him to believe comic books contain a kernel of truth with regard to people that are physically impervious to harm, and how does this lead him to discover David Dunn? How does Elijah attempt to convince Dunn that he needs to play the role of protector? What was Elijah’s ultimate purpose in causing catastrophic incidents, including the trai...2021-06-1729 minPhilosophy at the MoviesPhilosophy at the MoviesThe Man Who Wasn't ThereHow does this noire film, which contrasts a barely noticeable wallflower of a main character with a set of boisterous ‘BS-ing’ characters, use this contrast, and for what purpose? How is Ed’s position in this ‘big wide world of yakity-yak’ like ours? How does Ed’s passivity illustrate points made by existential philosophers, with regard to alienation and 'authentic' existence? How does the introduction of aliens and UFOs symbolize Ed’s passivity with regard to his own life? How does Ed's defense attorney make use of an argument about the ‘plight of modern man’ to argue that Ed was incapable of the c...2021-06-0231 minPhilosophy at the MoviesPhilosophy at the MoviesThe Great EscapeWhat does this 1963 film, based upon an actual escape attempt from a German POW camp, tell us about the high levels of creativity within the aviator POW community? Were the Germans wise in collecting their most accomplished aviator escapees into one camp? How does the relationship between the Camp Commander, Luftwaffe Colonel Von Luger, and POW CO Roger (Big X) Bartlett exemplify professional respect between officers, and the attendant expectation that escape attempts will be made? How does the film contrast the immoral and unprofessional SS and Gestapo with Von Luger in this connection? How does this all reflect on...2021-06-0230 minPhilosophy at the MoviesPhilosophy at the MoviesHostilesWhat does this film, set in the waning days of the Indian wars, tell us about forgiveness between two of the main characters, Captain Blocker and Chief Yellow Hawk, who had fought each other during the wars? Do they, in the end forgive, or come to a respectful understanding of each other? How does the fact that they are both warriors motivate the character arc of Blocker? How does the film-maker use the fact that Blocker is reading Julius Caesar’s history of the Gallic Wars? Is this supposed to bring to mind similar politics in American History, viz native tr...2021-05-2333 minPhilosophy at the MoviesPhilosophy at the MoviesAngel's EggWhat does this film’s combination of rich symbolism, a Christ-like character, and his retelling of the story of the Ark intend to communicate with regard to the passage of time, and its impact on faith? How does the male character’s portrayal of forgetfulness develop the theme of God becoming human? How do both characters represent the fact that we find ourselves ‘thrown’ into the world, not knowing a great deal about who we are, and how we got here? How does the spaceship-like craft that opens and closes the action represent God’s knowledge of the history of the univer...2021-05-1229 minPhilosophy at the MoviesPhilosophy at the MoviesPassengersWhat does this film, about the early stages of a 90 year journey on an interstellar starship, tell us about the moral status of the actions of its main character, Jim, who, in order to alleviate his own loneliness, awakens another passenger, Aurora? Is Aurora’s arc, from justifiable revulsion at Jim’s actions in waking her, to ultimately forgiving, and falling in love with him a second time, plausible? Would Aurora be able to forgive Jim if she truly believed he had no intention of telling her that he woke her? How does the film portray the misery of loneliness or i...2021-05-1129 minPhilosophy at the MoviesPhilosophy at the MoviesThe Empty ManWhat are the metaphysical presuppositions of this horror film? What would have to be true about the world in order for the efforts toward manifestation of the “Empty Man” to actually succeed? How might one explain the possibility of such success on the basis of the analogous phenomenon of trauma induced multiple personality disorder? How might this analogy, in combination with a ‘panpsychist’ metaphysics account for members of the Pontifex Institute being able to call “tulpas,” semi-autonomous persons, into being? How does the notion of a tulpa (and the story’s main character, James, a tulpa himself), instantiate a thought experiment of...2021-05-0432 minPhilosophy at the MoviesPhilosophy at the MoviesIn the Mood for LoveWhat does this film, about two spouses who come to realize that their spouses are carrying on an affair, tell us about the effects of abandonment and betrayal? What does it tell us about the impact such affairs have, even in societies that tacitly accept such behavior? Why do the two main characters attempt to reconstruct or act out meetings or conversations between their cheating spouses? What do the rehearsals of confrontations with their spouses show us about the kinds of soul searching or self-examinations that often happen when spouses are betrayed? How does the film convey the fact that...2021-04-2529 minPhilosophy at the MoviesPhilosophy at the MoviesEight Men OutWhat does this film, about the 1919 ‘Black Sox’ scandal, tell us about the Kantian stricture that we should not treat people merely as means to our own ends? How does the team ownership, in the person of Charles Comiskey, illustrate? How do the gamblers illustrate? How does their taking advantage of the illegality of the arrangement, to break promises to the players, illustrate? How does the film contrast Comiskey’s ‘talk’ and his ‘walk’ when it comes to respect for his players? In 1919 the White Sox players lived among their fan base, and interacted with them daily. What implications does this carry for...2021-04-0833 minPhilosophy at the MoviesPhilosophy at the MoviesThe GreyWhat does this film’s bleak story relay to us about the problem of pain and suffering and mankind’s relationship with God? How does the interaction between the atheistic characters Ottway and Diaz reflect the loss of belief or anger and sense of divine injustice people will often experience in the face of repeated tragedies in life? How does the film connect with, and tap into the themes raised in the Biblical story of Job? Did the character Ottway retain his faith? Does the ending of the film indicate that he has come to some sort of amends with God...2021-04-0629 minPhilosophy at the MoviesPhilosophy at the MoviesSelf/lessWhat does this story, premised upon the possibility of transferring a person from body to body, tell us about the moral implications of such technology, should it ever become available? Does the fact that Mark voluntarily sold his body in order to raise funds that save his daughter’s life make it the case that there is no grounds for moral qualms? Does the film miss an opportunity to explore this moral crisis in the characters Mark and his friend Martin, both parents of seriously ill children, who are ‘saved’ via this technology? How does the film reflect upon ongoing debate...2021-03-2829 minPhilosophy at the MoviesPhilosophy at the MoviesThe Assassination of Jesse James by the Coward Robert FordWhat does this film, based upon the true story of Jesse James’ death, tell us about celebrity, and the lionization of criminals in American popular culture? How does the formation of Robin Hood myths around figures like Jesse James reflect upon America’s image of itself? How did the fact that Missouri was a border state play into this myth making in Southern press of the day? Why did the popular portrayal of Jesse, and his brother Frank underplay their roles in anti-Union terrorism during the war, and savagery in their criminal careers? How do the lives of the criminals in t...2021-03-2129 minPhilosophy at the MoviesPhilosophy at the MoviesRescue Dawn and Little Dieter Needs to FlyWhat does this pair of films, one a documentary about POW Dieter Dengler, the other a drama based upon his story, tell us about the moral obligations film makers have toward the subjects of their films? How does the treatment of Eugene DeBruin in Rescue Dawn illustrate director Werner Herzog’s failure in regard to these obligations? How did Dieter Dengler’s early life in Post War Germany prepare him for enduring the horrors of captivity, and the rigors of the escape undertaken by his group? How does the movie illustrate the common tendency in Hollywood to underplay the challenges vete...2021-03-1432 minPhilosophy at the MoviesPhilosophy at the MoviesThe Best Years of Our LivesWhat does this film tell us about the difficulties encountered by WWII veterans as the re-entered civilian life? How does the film show the uncomprehending nature of those that did not serve, and how best to bridge that experiential divide? What must veterans do to ease anxieties of family, friends a colleagues? What must family, friends and colleagues do to ease anxieties or PTS in veterans? How does this film show that the Lion’s share of this burden, arguably something owed veterans by the US government, is nevertheless unavoidably shouldered by families? How does the Stephenson family illustrate the so...2021-02-2529 minPhilosophy at the MoviesPhilosophy at the MoviesEquilibriumWhat does this dystopian film tell us about connection between feelings or emotions and evil? Does the fact that the film is derivative of several films and works of literature dilute its message or its entertainment value? How does the society's social control technique, (chemical deadening of emotions and feelings, as a preventative for warfare and inhumanity), bring about the very things it attempts to prevent? What historical parallels are there in Nazi Germany, Fascist Italy, Imperial Japan and Soviet Russia? More generally, what does this film tell us about the duality of human nature and cultural accomplishment? Do we...2021-02-1929 minPhilosophy at the MoviesPhilosophy at the MoviesThe Bird People in ChinaWhat does this film tell us as it contrasts the busy stressful lives of its two main characters in modern Japan and the idyllic life of the remote Chinese village they visit? How does it the film portray the diluting impact of modern technology and culture on unique indigenous cultures? How do the villagers instantiate conflicting interests that remote villages might have in trading with and interacting modern societies? How does the film construct the contrast between modern and primitive lifestyles during the trek to the remote Chinese village? The crash landing of a British airmen contributed to the beliefs...2021-02-1829 minPhilosophy at the MoviesPhilosophy at the MoviesThe Lives of OthersWhat does this film, set in 1984 East Germany, tell us about the role of culture ministries in closed and authoritarian communist countries? What does it indicate about the role of fear and self-preservation in the exertion of control in such totalitarian systems of government? Is manipulation of such fear an engine of betrayal? How does day to day surveillance of private life affect Stasi agent Gerd Wiesler as he undertakes the task he so eagerly recommended to his superiors? How does the intimacy, and the literature and music he is exposed to as he watches writer Georg Dreyman and his...2021-02-0829 minPhilosophy at the MoviesPhilosophy at the MoviesSeven Days in MayWhat does this 1964 film tell us about the state of the Cold War in the early 60s? How does it illustrate the unique nature of the American constitutional order, as compared to other governments of the world, where extra-constitutional military coups, overthrowing elected governments, often occur? How does the film reflect upon contemporaneous conspiracy theories of its day, and those of today? How does the film hold up as a prediction of what the near future, the 1970s, held for international relations? What lessons can be learned about civil military relations that can be extended to present day challenges and...2021-01-3128 minPhilosophy at the MoviesPhilosophy at the MoviesAnother Round (Druk)What does this film tell us about the role of alcohol in Danish culture, in particular, youth as they navigate the milestones of academic life? How does it illustrate the dual nature of alcohol use for purposes of lighting creativity or buoying self confidence or verve for life? How do the middle aged teachers that are the main characters illustrate the risks and rewards of using alcohol for this purpose? Is alcohol both a genie of the magic lamp, and a Pandora's box of risk? What exactly does it mean to describe alcohol as "liquid courage"? Does the loss of...2021-01-2128 minPhilosophy at the MoviesPhilosophy at the MoviesTenetWhat does this film, (premised upon the notion that time travel is possible, and there is only one possible world - our own - the events of which are fixed), tell us about how much influence such time travelling agents would actually have in their attempts to alter outcomes? What does it tell us about the author's intent with regard to designed complexity of the plot line? Is this film a case of an overly ambitious and complex film that works at cross purposes with itself as a vehicle of entertainment, which attempts to draw audiences in for multiple viewings...2021-01-1829 minPhilosophy at the MoviesPhilosophy at the Movies2001: A Space OdysseyWhat does this 1968 film portray with regard to the possible interplay between intelligent guidance and evolutionary processes in the origins of humanity? What resonances does its story have with religious traditions on this subject? How does it reflect pop-cultural trends on that same question? How does it illustrate, in the 'person' of the HAL-9000 computer, the potentials and pitfalls of artificial intelligence? What does it tell us about the possible trajectory of human to post-human or post-biological development? How does the film reflect Cold War relations between the United States and Soviet Russia in the 1960s?2021-01-0929 minPhilosophy at the MoviesPhilosophy at the MoviesIt's a Wonderful LifeWhat does this classic film suggest to us about travel between the actual and possible worlds? What does it suggest about invariance of character traits of individuals across possible worlds? Are Potter and George Bailey such invariant characters, the former always depraved, the latter always good? What was Clarence's purpose in showing George a particularly bleak alternate history of his town, one dominated by Potter's influence? How does the story reflect the wartime experiences of director Frank Capra, and star Jimmy Stewart? Is there a parallel between the life story of Jesus Christ and that of George Bailey? What lesson...2020-12-2829 minPhilosophy at the MoviesPhilosophy at the MoviesStarship TroopersWhat does the film, based loosely upon the Robert Heinlein novel, tell us about director, Paul Verhoeven's opinion of the novel? What is the message the film and novel transmits concerning civil/military relations today? What is the role for philosophical and ethical education in Heinlein's vision of secondary and post secondary education? What does he have us consider with regard to the notion of voluntary national service being a pre-condition for exercise of the franchise? What does the vision of the future, in the film and novel, tell us about the ideal of the military as a merit based...2020-12-2828 minPhilosophy at the MoviesPhilosophy at the MoviesCitizen KaneWhat does this film tell us about the range of responses we can have toward aspects of our lives that are outside our complete control? How does Charles Foster Kane exemplify, through failure, Aristotle's views on virtues, his doctrine of the mean, and his views on happiness or flourishing? How does he exemplify, through failure, Stoic Doctrine? How does Kane's life parallel Welles's own life, and his character traits? What can we infer as to authorship with regard to the collaborative nature of his work on film and radio?2020-12-1029 minPhilosophy at the MoviesPhilosophy at the MoviesBlade RunnerWhat does this film tell us about the potential to bio-engineer characteristics that would suit human beings for roles that require use of violence, such as bounty hunters or military combatants? What does it tell us about the ongoing project of creating AI that has an ability to perfectly mimic human emotional reactions? What does the ambiguous interpretation of Joi's actions indicate about this? What does the film tell us about the potential for neuro-engineers to customize and edit memories? Finally, what does it tell us about sexual objectification?2020-12-1029 minPhilosophy at the MoviesPhilosophy at the MoviesFive Came BackWhat does this documentary series tell us about the sense of duty and service to country that was felt by five directors from the golden age of Hollywood (John Ford, John Huston, Frank Capra, George Stevens and William Wyler)? What does it tell us about sterwardship responsibilities, with regard to US troops that was shouldered by General George C. Marshall and civilian leadership, during WWII? What does it tell us about the obligation to inform servicemen and women that were going into harm's way? How does the film show contemporary efforts to treat PTSD in servicemen? How do these directors...2020-12-1029 minPhilosophy at the MoviesPhilosophy at the MoviesThe Human StainWhat does this movie, based upon a Phillip Roth novel, tell us about cancel culture on campus? What does it tell us about the difficult choice made by the main character, Coleman Silk, who disowned his African American family in order to pursue success in his careers passing as a white Jewish man? Does the film attempt too much by cursorily including too many of the novel's narrative threads? Should it have more exclusively focused on one or other of these story lines? How does the casting work to lessen the plausibility of the story of Silk's later life?2020-12-1029 minPhilosophy at the MoviesPhilosophy at the MoviesThe ExorcistWhat does this 1973 film tell us about post Hays-Code Hollywood and the ethics of using child actors in roles such as that of the possessed daughter, Regan? What does it tell us about the interaction between the MPAA and film producers/distributors? What does the film make us consider with regard to the problem of the existence of evil and God? Why would God allow a perfectly malignant demon to exist? What do Fathers Karras and Merrin teach us about duty and self sacrifice? How does the film's setting at Georgetown University illustrate the role of religious belief in a...2020-10-2929 minPhilosophy at the MoviesPhilosophy at the MoviesShin GodzillaWhat does this retelling of the Godzilla story tell us about the responsibilities of governments in handling emergency situations? How does it reflect contemporary Japanese bureaucracy and does it provide a window into how the Japanese conscience feels about WWII era lmperial leadership in the terminal stages of that war? The film's first half is dark satire, while the later half portrays international cooperation to defeat the threat, efforts led by an up and coming young minister. What does this tell us about keeping governments responsive and resiliant in a global age? 2020-10-2829 minPhilosophy at the MoviesPhilosophy at the MoviesGet OutHow does this horror/suspense film engage with recent philosophical thought experiments having to do with brain transplants and issues of personal identity? How does producer/director Jordan Peele utilize awkwardness in white/black relations to build suspense and foreboding in his audience? What did he intend to tell us regarding the challenges that young black males face when interacting with law enforcement? How do the several alternate endings he filmed reveal his own views and hopes on the subject?2020-10-1429 minPhilosophy at the MoviesPhilosophy at the MoviesMoonWhat does this film tell us about the human proclivity to use fellow human beings as mere means to larger ends, such as corporate gain or climate change mitigation? Is it realistic to assume a corporation, its employees or society would treat cloned humans as less than human? How does the AI robot, GERTY, illustrate codes of ethics for AI human interaction? What evidence is there that GERTY is simply following an algorithm to protect Sam? What evidence is there that GERTY actually has compassion for Sam, and a moral sense?2020-10-1229 minPhilosophy at the MoviesPhilosophy at the MoviesSargent RutledgeWhat does this film, about the court-martial of a black cavalryman who is accused of rape and murder of a white woman, tell us about justice, fairness, and bigotry in the post-bellum U.S. Army? What message does John Ford wish to send his audience of 1960? Does he presage elements of the looming civil rights battles of that decade? Does he intend to show us that the military led the way in regard to integrating black Americans?2020-09-2329 minPhilosophy at the MoviesPhilosophy at the MoviesTwelve O'Clock HighWhat does this story, based on the early days of American involvement in the air war over Germany, tell us about the tensions that exist for commanders when they try to balance mission accomplishment with their stewardship responsibilities they have for the well-being of their people? How does the film contrast with later Vietnam era films, with regard to cynicism and combat exhaustion?2020-09-2029 minPhilosophy at the MoviesPhilosophy at the MoviesThe Man Who Shot Liberty ValanceWhat does the film tell us about circumstances where it becomes necessary to act with 'dirty hands' in order to preserve civilization? How does John Ford use the character of the black man Pompey as an object lesson in the inconsistencies between American ideals and practice in regard to civil rights?2020-09-1129 minPhilosophy at the MoviesPhilosophy at the MoviesSaving Private RyanWhat are the concepts of the natural lottery and moral luck, and how are they represented in the film? Is it fair of Capt. Miller to demand, with his last words, that Ryan “earn it” as he dies after defending the bridge? Is this final demand from Miller representative of a message from members of US armed services to the country they serve?2020-09-0728 minPhilosophy at the MoviesPhilosophy at the MoviesIkiruWhat does this 1952 Japanese film, about a bureaucrat who discovers he has terminal cancer, tell us about choice, direction in life, and living authentically? What does it tell us about the focus and hard questions that often happen when confronted with one's own mortality? What does it say about the compromises with reality or necessity that most people must make when it comes to the ability to make a living or provide for family, and what does it tell us with regard to obligations of sons and daughters to parents?2020-08-2729 minPhilosophy at the MoviesPhilosophy at the MoviesJurassic ParkWhat does this film tell us about the benefits and risks associated with reviving long extinct life forms? What is the interplay between scientific inquiry and entrepreneurial efforts in the film? What are the competing motivations in such cases? Do such projects as the real-world enterprise "Pleistocene Park" run similar risks while offering their possible benefits? If so, how might they be mitigated? Is it, in principle, impossible to predict consequences of playing with complex systems, such as eco-systems? If so, should we abstain from doing so?2020-08-2729 minPhilosophy at the MoviesPhilosophy at the MoviesEXTREME MEASURESWhat does this 1996 film, about nerve regeneration research, tell us about utilitarian thought and the role of consent in medical research using human subjects? What lessons can be learned for medical research by comparing and contrasting this fictional story with actual historical episodes?2020-08-0729 minPhilosophy at the MoviesPhilosophy at the MoviesBLACK ROBEWhat does this film about Jesuit missionaries in Algonquin territory during the 1600s tell us about rationality and religious beliefs? How does it illustrate the conceptual difficulties that can occur when we attempt to understand cultures whose experiences and outlooks are foreign to us in fundamental ways? 2020-07-2127 minPhilosophy at the MoviesPhilosophy at the MoviesTHE HATE U GIVEWhat does W.E.B Dubois' concept of 'double consciousness' tell us about the main character Starr Carter, and life as a black American? What does it tell us about recent police shootings of unarmed black men? What does THUGLIFE mean? Is the message of The Hate U Give one of despair or hope when it comes to race relations? How do these themes connect with other recent films and the comedy of Key and Peele and Dave Chapell? These, and other questions are explored.2020-07-1629 minPhilosophy at the MoviesPhilosophy at the MoviesBLADE RUNNERWhat does Blade Runner tell us about the role of empathy in morality? How are memories connected with personal identity? What connection is there between the capacity for cruelty and moral agency? Is there religious significance or commentary in this film and in the book upon which it is based? These, and other questions are explored.2020-07-1629 minPhilosophy at the MoviesPhilosophy at the MoviesARRIVALWhat does the 2016 film Arrival tell us about time, and our relationship to it? If you knew your future and could choose, would you live it exactly as it is to unfold? Does foreknowledge of the future course of our lives imply that there is no free will? Would it be wrong to inform loved ones of the tragedies you see for them? Would it be wrong to enter into relationships that you know will end in tragedy? These and other questions are explored in this film.2020-07-1623 minRadio StockdaleRadio StockdaleGroundhog DayWhat would you do without repercussions? How would you live in a world of no consequences? Dr. Shaun Baker is a philosopher at the Stockdale Center, and specializes in philosophy at the movies. He breaks down Aristotelian concepts in the movie “Groundhog Day”, focusing on what true happiness means. He holds his PhD from Wayne State University and coaches the ethics debate team at the Naval Academy.2020-06-2211 minEthics and the Naval WarriorEthics and the Naval WarriorGroundhog DayWhat would you do without repercussions? How would you live in a world of no consequences? Dr. Shaun Baker is a philosopher at the Stockdale Center, and specializes in philosophy at the movies. He breaks down Aristotelian concepts in the movie “Groundhog Day”, focusing on what true happiness means. He holds his PhD from Wayne State University and coaches the ethics debate team at the Naval Academy.2020-06-2211 min