Shows
The Haunted ScreenCinema Oblivion: Lost Films, Haunted HistoriesAs many as 90% of silent movies are lost to the ages. How many holes does that leave in the story of film? This week: reel infernos, missing monsters, Jerry Lewis'... Auschwitz clown debacle, and a little hauntology as a treat.2025-01-3139 min
The Haunted ScreenA New Year, A New Orlok: Nosferatu vs. NosferatuRobert Eggers' new version of Nosferatu is an absolute horror show in the best way possible. With Orlok Fever sweeping the nation, we're taking the opportunity to repost a 2022 episode on F.W. Murnau's century-old original. Travis also offers his take on the Eggers adaptation. He promises not to read it as a political allegory, then promptly does so anyway.2025-01-071h 09
The Haunted ScreenFolk Horror, Pt. II: The Haunted Screen Gets HauntologicalFolk horror is a past-haunted subgenre for our past-haunted times. Appearances from A-Ha, Christopher Lee, Jacques Derrida, Ronald Reagan, Mark Fisher, and creepy child laughter. Episode artwork by DALL-E. Yeah, I know.2024-11-2752 min
The Haunted ScreenThe Happy Halloween We're So Back Folk Horror Extravaganza, Pt. IMidsommar! Witchfinder General! The Blood on Satan's Claw! The Wicker Man! '73! And a lil '06 as a treat! No Derrida, though. Gonna have to wait for Derrida.2024-10-3140 min
Party GirlsCultural Marxism: Nosferatu and Cinema in Weimar GermanyJamie and Jorge are joined in this discussion of the film classic Nosferatu (1922) by Travis Mushett, who is a teacher of film and media history at Fordham University and Marymount Manhattan College. He is also the host of the new The Haunted Screen podcast, a narrative podcast about film, history, and film history. Please join us in this discussion of how the original vampire movie was emblematic of the culture in Weimar Germany at the time.
The Haunted Screen Podcast: https://www.hauntedscreenpod.com
Praise from Criterion on The Haunted Screen Podcast: https://www.criterion...2022-11-031h 30
The Haunted Screen1.6 — The End: The Blue Angel and the Twilight of the Weimar RepublicNazi, dissident, victim… Josef von Sternberg’s cabaret classic The Blue Angel had three stars: Emil Jannings, Marlene Dietrich, and Kurt Gerron. As the Weimar Era ended and the Third Reich began, fate brought them—and all of Germany—to a crossroads. What would they choose, and what choices would be taken from them?For show notes and other supporting information, click here.2022-09-211h 14The Haunted Screen1.5 — Fritz Lang & Thea von Harbou, Pt. II: A Marriage—and a Country—on the BrinkAs the 1920s became the 1930s, both the Lang-von Harbou marriage and German democracy itself teetered on the edge of collapse. In this moment of personal and political chaos, the couple made movies—and choices—that would define their legacies.For show notes and other supporting information, click here.2022-09-071h 10The Haunted Screen1.5 — Fritz Lang & Thea von Harbou, Pt. II: A Marriage—and a Country—on the BrinkAs the 1920s became the 1930s, both the Lang-von Harbou marriage and German democracy itself teetered on the edge of collapse. In this moment of personal and political chaos, the couple made movies—and choices—that would define their legacies.For show notes and other supporting information, click here.2022-09-071h 10The Haunted Screen1.4 — G.W. Pabst & the German Left: When Pictures Got PoliticalIn a political environment as combustible as the Weimar Republic, it was only a matter of time before the country’s Kinos became venues for ideological warfare. G.W. Pabst was on the frontlines, firing broadsides against nationalism (Kameradschaft), capitalism (The Threepenny Opera), and the patriarchy (Pandora’s Box). But even in the face of a rising fascism, the German left threatened to tear itself apart.For show notes and other supporting information, click here.2022-08-311h 15The Haunted Screen1.3 — Fritz Lang & Thea von Harbou, Pt. I: Seduction, Spectacle, and the Birth of NazismThrough movies like Destiny, Die Nibelungen, and Metropolis, the husband/wife team of director Fritz Lang and screenwriter Thea von Harbou helped establish Berlin as Hollywood’s one true rival. But their emergence as international celebrities paralleled the rise of a certain failed artist storming through the beer halls of Munich.For show notes and other supporting information, click here.2022-08-241h 25The Haunted Screen1.2 — Villains: Nosferatu, Dr. Mabuse the Gambler, and the Timeliness of TerrorIn 1922, a pair of diabolical creatures arrived on German movie screens. What can the vampire Count Orlok and the supercriminal Dr. Mabuse teach us about the fears and fantasies lurking in the Weimar imagination?For show notes and other supporting information, click here.2022-08-1758 minThe Haunted Screen1.1 — Beginnings: The Cabinet of Dr. Caligari, the Rise of Expressionism, and the Long Shadow of World War IA world war lost. An economy in tatters. A country riven by political violence. Germany’s Weimar Era had a tumultuous birth, and with The Cabinet of Dr. Caligari, its filmmakers began to channel that mayhem into sinister celluloid fantasies.For show notes and other supporting information, click here.2022-08-171h 24